I pasted the landscape photos on the surfaces of the cube and recorded them frame by frame. It looks like the box is rotating forever, but in reality it only rotates 90 degrees. The technique of this feeling is essentially the same as that used in SPACY. My goal was to disturb our awareness of space in the movement from three dimensions to the plane and back. Takashi Ito
I pasted the landscape photos on the surfaces of the cube and recorded them frame by frame. It looks like the box is rotating forever, but in reality it only rotates 90 degrees. The technique of this feeling is essentially the same as that used in SPACY. My goal was to disturb our awareness of space in the movement from three dimensions to the plane and back. Takashi Ito
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